In this edition of Artisans of WMass member interviews, we get to know more about Donna Beck from 230am Studio. Donna does some really creative things by upcycling paper. From fine art to handcraft bowls, Donna makes any paper into a work of art. Today, she tells us more about her work, her thoughts on the economy, buying local and more.
Name: Donna Beck
Shop Name: 230am studio
Website: 230amstudio.com
Tell us a bit about yourself and what arts/ crafts that you make?
I’m a paper and mixed media artist. I’ve been working with handmade paper and pulp for about 11 years. I also incorporate surface-decorated papers, fibers, beads, found objects, stitching, basketry and packaging techniques in my work. I create “Lorica” bowls, wall pieces, “waterdrop” talismans, handmade books, original cards, and tiles, trivets, and trays. I teach in the art program at Western New England College in Springfield, and I’m the Director of the Monson Summer Art Camp. I’m also on the Monson Arts Council Board of Directors and a member of the Scholarship Committee which produces the annual Western Mass Performs Talent Show.
Where in Western Mass do you call home?
I live in Monson, and my studio and business, 230am studio, is located at Indian Orchard Mills, a wonderful old textile mill that has been converted to artists’ studios. We moved here to MA from NC almost 8 years ago—and we love it here.
What is your favourite item in your shop?
It’s difficult to say what my favorite item is, but my “Lorica” bowls have a spiritual element that makes them very meaningful for me to work on. “Lorica” is the Celtic word for a blessing or prayer; the bowls have titles like, “Tranquility,” “Night Music,” and “Winter Comes.” I feel a great sense of peace and satisfaction when I finish one.
What is your best seller?
The Lorica bowls are popular, but also my jauntier “Life” series: “Facing the Day,” “When Thoughts take Over,” and my newly completed, “Eye of the Storm” are pieces that people identify with. These wall pieces are popular as prints and cards. The figures in the work represent us all as we deal with hectic, often stressful, day-to-day life with an attitude of acceptance and humor.
How does your day go in general?
I teach at least two courses each semester at Western New England College. When I’m not teaching, I approach my studio-time as a full-time job—I get up and go to work. I also try to reserve one day a week for marketing. I struggle, like everyone else, to “make it work.” In addition to my artwork/business, I’m involved with 2 teenagers, my work at Western New England College, managing a household, organizing other shows (like “Transforming Geometry,” an art show we had at Indian Orchard Mills last fall), directing the Monson Summer Art Camp, and volunteer work. But I work on my business every day, even weekends, even if I only manage to get in a couple of hours on some days, and I do tend to work late at night.
What inspires you?
My inspiration comes from three primary sources: Nature: (grapevines, stones, birch bark, a bird’s nest, bones), emotions/yearnings (a face, music, autumn, a world event that evokes deep emotion—like war, or the earthquake in Japan (where I lived for a year), joy, despair, love, frustration) and Feminine, often Celtic themes.
What is your goal for 2011?
I hope to get my work into more markets. I want to do more shows—in different parts of the region, and I’d like to get into a couple more galleries. I’m also planning to set up a shop on Etsy and have more of an online presence.
How do you like to support the local arts community?
I support the local arts community in three ways—by buying from local artists as much as possible, by bringing the arts to youth as Director of the Monson Summer Art Camp and by volunteering. I’m very active in the Monson Arts Council, which sponsors theatre productions, an art show, art camp, coffee house, talent show, scholarship, and a craft fair.
During this recession time, tell us one thing that you do to save money/be more efficient?
I’m very frugal, not just in recession time, but always, I try to ‘find’ most of the main items I use in my work, even the objects that are not from nature. For example, I search yard, antique, and estate sales for jewelry, beads, postcards, and so on; and I recycle lots of paper scraps (and fruits and vegetables) to use in my handmade paper. I also ask friends to save their paper scraps for me—scraps from stamping and scrapbook projects—and friends always give me broken jewelry, buttons—anything they think I might use in my work. And I never throw anything away. Even my smallest paper scraps go into another artwork.
How do you try to keep your dollars local?
It’s easy when I’m in a community of artisans and artists. I buy from local artists—often my friends. I have to balance cost and local purchases, but if I possibly can, I buy local. I work with a local printer. We also have a share in a CSA. I boycott Walmart!
Any hidden talents?
Vegan cooking. I’ve been a vegan for 21 years and I love to cook and experiment with recipes. It’s been a challenge sometimes with teenagers, but both of them are vegetarians, and (I think), they love mom’s cooking.


























